Although the two most recent Pink Panther films starred Steve Martin, most of the films in the series starred Peter Sellers as Inspector Clouseau and were directed and co-written by Blake Edwards. The popular jazz-based theme music was composed by Henry Mancini. In addition to the credits sequences, the theme accompanies any suspenseful sequence involving "the Phantom" at work on a theft, both in the first and in subsequent films.
Mancini's other themes for the first film include an Italian-language set-piece called "Meglio Stasera" whose purpose seems primarily to introduce young actress Fran Jeffries. Portions of an instrumental version also appear in the film's musical score several times. Other segments include "Shades of Sennett", a "honky tonk" piano number introducing the film's climactic chase scene through the streets of Rome. Most of the remaining tracks on the soundtrack album are early 1960s orchestral jazz pieces, matching the style of the era. Although variations of the main theme would be reprised for many of the Pink Panther series entries, as well as the cartoon series, Mancini composed a different theme for A Shot in the Dark.
The Pink Panther of the title is a diamond supposedly containing a flaw which forms the image of a "leaping panther", which can be seen if held up to light in a certain way. This is explained in the beginning of the first film, and the camera zooms in on the diamond to reveal the blurry flaw, which focuses into the Panther (albeit not actually leaping) to start the opening credits sequence (this is also done in Return). The plot of the first film centers around the theft of this diamond, which is mentioned in only four other films in the series (The Return of the Pink Panther, Trail of the Pink Panther, Curse of the Pink Panther, and the 2006 remake of The Pink Panther). The name stuck once "the Pink Panther" became attached to Inspector Clouseau, in much the same way that "Frankenstein" has been used in film titles to refer to Dr Frankenstein's monster or The Thin Man was used in a series of detective films.
A Shot in the Dark, a film which was not originally intended to feature Inspector Clouseau, is the only film in the series (besides Inspector Closeau) that features neither the diamond nor the distinctive animated Pink Panther in the opening credits and ending. Many critics, including Leonard Maltin, regard this film as the best in the series.
In the original Pink Panther movie, the main focus was on David Niven's role as Sir Charles Lytton, the infamous jewel thief nicknamed "the Phantom", and his plan to steal the Pink Panther from its owner. The Inspector Clouseau character plays only a supporting role as Lytton's incompetent antagonist, and provided slapstick comic relief to a movie that was otherwise a subtle, lighthearted crime drama, a somewhat jarring contrast of styles which is not atypical of Edwards' films. The popularity of Clouseau caused him to become the main character in subsequent Pink Panther films, which were more straightforward slapstick comedies.
Pink Panther character and animated cartoons
The opening title sequence of the original 1963 Pink Panther film was such a success with the United Artists executives that they decided to adapt the title sequence into a series of theatrical animated shorts. DePatie-Freleng Enterprises, run by former Warner Bros. Cartoons creators David H. DePatie and Friz Freleng, produced the opening sequences, with Freleng as director. UA commissioned a long series of Pink Panther shorts, the first of which, 1964's The Pink Phink won the 1964 Academy Award for Animated Short Film. By the late-1960s, the shorts
were being broadcast as Saturday morning cartoons, and new shorts were being produced for both television broadcast and theatrical release. The animated Pink Panther character has also appeared in personal computer and console video games, as well as advertising campaigns for several companies.
Mancini's other themes for the first film include an Italian-language set-piece called "Meglio Stasera" whose purpose seems primarily to introduce young actress Fran Jeffries. Portions of an instrumental version also appear in the film's musical score several times. Other segments include "Shades of Sennett", a "honky tonk" piano number introducing the film's climactic chase scene through the streets of Rome. Most of the remaining tracks on the soundtrack album are early 1960s orchestral jazz pieces, matching the style of the era. Although variations of the main theme would be reprised for many of the Pink Panther series entries, as well as the cartoon series, Mancini composed a different theme for A Shot in the Dark.
The Pink Panther of the title is a diamond supposedly containing a flaw which forms the image of a "leaping panther", which can be seen if held up to light in a certain way. This is explained in the beginning of the first film, and the camera zooms in on the diamond to reveal the blurry flaw, which focuses into the Panther (albeit not actually leaping) to start the opening credits sequence (this is also done in Return). The plot of the first film centers around the theft of this diamond, which is mentioned in only four other films in the series (The Return of the Pink Panther, Trail of the Pink Panther, Curse of the Pink Panther, and the 2006 remake of The Pink Panther). The name stuck once "the Pink Panther" became attached to Inspector Clouseau, in much the same way that "Frankenstein" has been used in film titles to refer to Dr Frankenstein's monster or The Thin Man was used in a series of detective films.
A Shot in the Dark, a film which was not originally intended to feature Inspector Clouseau, is the only film in the series (besides Inspector Closeau) that features neither the diamond nor the distinctive animated Pink Panther in the opening credits and ending. Many critics, including Leonard Maltin, regard this film as the best in the series.
In the original Pink Panther movie, the main focus was on David Niven's role as Sir Charles Lytton, the infamous jewel thief nicknamed "the Phantom", and his plan to steal the Pink Panther from its owner. The Inspector Clouseau character plays only a supporting role as Lytton's incompetent antagonist, and provided slapstick comic relief to a movie that was otherwise a subtle, lighthearted crime drama, a somewhat jarring contrast of styles which is not atypical of Edwards' films. The popularity of Clouseau caused him to become the main character in subsequent Pink Panther films, which were more straightforward slapstick comedies.
Pink Panther character and animated cartoons
The opening title sequence of the original 1963 Pink Panther film was such a success with the United Artists executives that they decided to adapt the title sequence into a series of theatrical animated shorts. DePatie-Freleng Enterprises, run by former Warner Bros. Cartoons creators David H. DePatie and Friz Freleng, produced the opening sequences, with Freleng as director. UA commissioned a long series of Pink Panther shorts, the first of which, 1964's The Pink Phink won the 1964 Academy Award for Animated Short Film. By the late-1960s, the shorts
were being broadcast as Saturday morning cartoons, and new shorts were being produced for both television broadcast and theatrical release. The animated Pink Panther character has also appeared in personal computer and console video games, as well as advertising campaigns for several companies.
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